杨露禅 Yang Luchan |
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Born | 1799 Guangping, China |
Died | 1872 |
Style | Yang-style t'ai chi ch'uan |
Notable students | Yang Pan-hou, Yang Chien-hou, Wu Yu-hsiang |
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Yang Lu-ch'an or Yang Luchan, simplified Chinese: 杨露禅; traditional Chinese: 楊露禪; pinyin: Yáng Lùchán; also known as Yang Fu-k'ui (simplified Chinese: 杨福魁; traditional Chinese: 楊福魁; pinyin: Yáng Fúkuí) (1799-1872), born in Kuang-p'ing (Guangping), was an influential teacher of the soft style martial art t'ai chi ch'uan (Taijiquan) in China during the second half of the 19th century. He is known as the founder of Yang-style tai chi chuan.[1][2]
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Yang Lu-ch'an’s family was a poor farming/worker class from Hebei Province, Guangping Prefecture, Yongnian County. Yang would follow his father in planting the fields and, as a teenager, held temporary jobs. One period of temporary work was spent doing odd jobs at the Tai He Tang Chinese pharmacy located in the west part of Yongnian City, opened by Chen De Hu of the Chen Village in Henan Province, Huaiqing Prefecture, Wenxian County. As a child, Yang liked martial arts and studied Changquan, gaining a certain level of skill.
One day Yang reportedly witnessed one of the partners of the pharmacy utilizing a style of martial art that he had never before seen to easily subdue a group of would-be thieves. Because of this, Yang requested to study with the pharmacy's owner, Chen De Hu. Chen referred Yang to the Chen Village to seek out his own teacher—the 14th generation of the Chen Family, Ch'en Chang-hsing.[1][2][3]
After mastering the martial art, Yang Lu-ch'an was subsequently given permission by his teacher to go to Beijing and teach his own students, including Wu Yu-hsiang and his brothers, who were officials in the Imperial Qing dynasty bureaucracy.[2]. In 1850, Yang was hired by the Imperial family to teach Taijiquan to them and several of their élite Manchu Imperial Guards Brigade units in Beijing's Forbidden City. Among this group was Yang's best known non-family student, Wu Ch'uan-yu.[4] This was the beginning of the spread of Taijiquan from the family art of a small village in central China to an international phenomenon. [5]Due to his influence and the number of teachers he trained, including his own descendants, Yang is directly acknowledged by 4 of the 5 Taijiquan families as having transmitted the art to them.[1][2][5]
After emerging from Chenjiagou, Yang became famous for never losing a match and never seriously injuring his opponents. Having refined his martial skill to an extremely high level, Yang Lu-ch'an came to be known as Yang Wu Di (楊無敵, Yang the Invincible). In time, many legends sprang up around Yang's martial prowess. These legends would serve to inform various biographical books and movies. Though not independently verifiable, several noteworthy episodes are worth mentioning to illustrate the Yang Wu Di character:
When Yang Lu-ch'an first taught in Yung Nien, his art was referred to as Mien Quan (Cotton Fist) or Hua Quan (Neutralising Fist). Whilst teaching at the Imperial Court, Yang met many challenges, some friendly some not. But he invariably won and in so convincingly using his soft techniques that he gained a great reputation.
Many who frequented the imperial households would come to view his matches. At one such gathering in which Yang had won against several reputable opponents, the scholar Ong Tong He was present. Inspired by the way Yang moved and executed his techniques, Ong felt that Yang's movements and techniques expressed the physical manifestation of the principles of Taiji (太極, the philosophy). Ong wrote for him a matching verse:
“ | Hands Holding Taiji shakes the whole world, a chest containing ultimate skill defeats a gathering of heroes. | ” |
Thereafter, his art was referred to as Taijiquan and the styles that sprang from his teaching and by association with him was called Taijiquan.[10]
Yang Lu-ch'an passed his art to:
This family tree is not comprehensive.
Zhang Sanfeng* c. 12th century NEIJIA |
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Wang Zongyue* T'AI CHI CH'UAN |
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Note: These are legendary or semi-legendary figures in the lineage, which means their involvement in the lineage, while accepted by most of the major schools, isn't independently verifiable from known historical records.
Chen Wangting 1580–1660 9th generation Chen CHEN STYLE |
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Chen Changxing 1771–1853 14th generation Chen Chen Old Frame |
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Chen Youben c. 1800s 14th generation Chen Chen New Frame |
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Yang Lu-ch'an 1799–1872 YANG STYLE |
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Chen Qingping 1795–1868 Chen Small Frame, Zhaobao Frame |
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Yang Pan-hou 1837–1892 Yang Small Frame |
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Yang Chien-hou 1839–1917 |
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Wu Yu-hsiang 1812–1880 WU/HAO STYLE |
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Wu Ch'uan-yu 1834–1902 |
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Yang Shao-hou 1862–1930 Yang Small Frame |
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Yang Chengfu 1883–1936 Yang Big Frame |
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Li I-yü 1832–1892 |
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Wu Chien-ch'uan 1870–1942 WU STYLE 108 Form |
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Yang Shou-chung 1910–1985 |
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Hao Wei-chen 1849–1920 |
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Wu Kung-i 1900–1970 |
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Sun Lu-t'ang 1861–1932 SUN STYLE |
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Wu Ta-k'uei 1923–1972 |
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Sun Xingyi 1891–1929 |
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